ARCHIVE
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On Agatha Bock, urban gardening, Silvia Federici, and why reclaiming land is a hyperfeminist practice. A review of AGATHA’S ALMANAC, screened at the International Women’s Film Festival Dortmund/Köln.
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24 films, 8 days, one accidental thread: sexual violence against female bodies. On why SAD GIRLZ and SORRY, BABY are two of the most important films about assault, friendship, and survival — and why it matters who gets to tell these stories.
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On memory, queer love, and the slow-burn devastation of Oliver Hermanus‘ THE HISTORY OF SOUND, starring Paul Mescal and Josh O’Connor. Screened at the International Film Festival Rotterdam.
COUNTERCUTS 